Design, on the other hand, depicts the social and worldly framework that initiates dress as a social signifier in a specific time and setting. Logician Giorgio Agamben associates design to the current force of the subjective second, to the transient perspective the Greek called kairos, while clothing has a place with the quantitative, what the Greek called Chronos.
While some selective brands might guarantee the name high fashion, the term is in fact restricted to individuals from the Chambre Syndicale de la Haute Couture in Paris. High fashion is more optimistic; roused by craftsmanship and culture, and much of the time, held for the monetary first class.
Design is likewise a wellspring of craftsmanship, permitting individuals to show their novel preferences and styling. Various fashioners are impacted by outside improvements and mirror this motivation in their works.